Difference between revisions of "Team:U of Guelph/Collaborations"

Line 85: Line 85:
 
<img src="https://static.igem.org/mediawiki/2017/4/4a/T--U_of_Guelph--gryphon.jpg" class="guelphImages">
 
<img src="https://static.igem.org/mediawiki/2017/4/4a/T--U_of_Guelph--gryphon.jpg" class="guelphImages">
 
<h1 class="colabSub">Collaboration 1</h1>
 
<h1 class="colabSub">Collaboration 1</h1>
<p class="colabP">To be, or not to be: that is the question:
+
<p class="colabP">
Whether ’tis nobler in the mind to suffer
+
Maayan participated in an interview with the Toronto iGEM team for one of their Human Practices projects.  
The slings and arrows of outrageous fortune,
+
</p>
Or to take arms against a sea of troubles,
+
And by opposing end them? To die: to sleep;
+
No more; and by a sleep to say we end
+
The heart-ache and the thousand natural shocks
+
That flesh is heir to, ’tis a consummation
+
Devoutly to be wish’d. To die, to sleep;
+
To sleep: perchance to dream: ay, there’s the rub;
+
For in that sleep of death what dreams may come
+
When we have shuffled off this mortal coil,
+
Must give us pause: there’s the respect
+
That makes calamity of so long life;
+
For who would bear the whips and scorns of time,
+
The oppressor’s wrong, the proud man’s contumely,
+
The pangs of despised love, the law’s delay,
+
The insolence of office and the spurns
+
That patient merit of the unworthy takes,
+
When he himself might his quietus make
+
With a bare bodkin? who would fardels bear,
+
To grunt and sweat under a weary life,
+
But that the dread of something after death,
+
The undiscover’d country from whose bourn
+
No traveller returns, puzzles the will
+
And makes us rather bear those ills we have
+
Than fly to others that we know not of?
+
Thus conscience does make cowards of us all;
+
And thus the native hue of resolution
+
Is sicklied o’er with the pale cast of thought,
+
And enterprises of great pith and moment
+
With this regard their currents turn awry,
+
And lose the name of action.–Soft you now!
+
The fair Ophelia! Nymph, in thy orisons
+
Be all my sins remember’d.</p>
+
 
+
<h1 class="colabSub">Collaboration 2</h1>
+
<p class="colabP">To be, or not to be: that is the question:
+
Whether ’tis nobler in the mind to suffer
+
The slings and arrows of outrageous fortune,
+
Or to take arms against a sea of troubles,
+
And by opposing end them? To die: to sleep;
+
No more; and by a sleep to say we end
+
The heart-ache and the thousand natural shocks
+
That flesh is heir to, ’tis a consummation
+
Devoutly to be wish’d. To die, to sleep;
+
To sleep: perchance to dream: ay, there’s the rub;
+
For in that sleep of death what dreams may come
+
When we have shuffled off this mortal coil,
+
Must give us pause: there’s the respect
+
That makes calamity of so long life;
+
For who would bear the whips and scorns of time,
+
The oppressor’s wrong, the proud man’s contumely,
+
The pangs of despised love, the law’s delay,
+
The insolence of office and the spurns
+
That patient merit of the unworthy takes,
+
When he himself might his quietus make
+
With a bare bodkin? who would fardels bear,
+
To grunt and sweat under a weary life,
+
But that the dread of something after death,
+
The undiscover’d country from whose bourn
+
No traveller returns, puzzles the will
+
And makes us rather bear those ills we have
+
Than fly to others that we know not of?
+
Thus conscience does make cowards of us all;
+
And thus the native hue of resolution
+
Is sicklied o’er with the pale cast of thought,
+
And enterprises of great pith and moment
+
With this regard their currents turn awry,
+
And lose the name of action.–Soft you now!
+
The fair Ophelia! Nymph, in thy orisons
+
Be all my sins remember’d.</p>
+
 
+
<h1 class="colabSub">Collaboration 3</h1>
+
<p class="colabBot">To be, or not to be: that is the question:
+
Whether ’tis nobler in the mind to suffer
+
The slings and arrows of outrageous fortune,
+
Or to take arms against a sea of troubles,
+
And by opposing end them? To die: to sleep;
+
No more; and by a sleep to say we end
+
The heart-ache and the thousand natural shocks
+
That flesh is heir to, ’tis a consummation
+
Devoutly to be wish’d. To die, to sleep;
+
To sleep: perchance to dream: ay, there’s the rub;
+
For in that sleep of death what dreams may come
+
When we have shuffled off this mortal coil,
+
Must give us pause: there’s the respect
+
That makes calamity of so long life;
+
For who would bear the whips and scorns of time,
+
The oppressor’s wrong, the proud man’s contumely,
+
The pangs of despised love, the law’s delay,
+
The insolence of office and the spurns
+
That patient merit of the unworthy takes,
+
When he himself might his quietus make
+
With a bare bodkin? who would fardels bear,
+
To grunt and sweat under a weary life,
+
But that the dread of something after death,
+
The undiscover’d country from whose bourn
+
No traveller returns, puzzles the will
+
And makes us rather bear those ills we have
+
Than fly to others that we know not of?
+
Thus conscience does make cowards of us all;
+
And thus the native hue of resolution
+
Is sicklied o’er with the pale cast of thought,
+
And enterprises of great pith and moment
+
With this regard their currents turn awry,
+
And lose the name of action.–Soft you now!
+
The fair Ophelia! Nymph, in thy orisons
+
Be all my sins remember’d.</p>
+
  
 
<div class="sponsor">
 
<div class="sponsor">

Revision as of 14:57, 25 October 2017

Collaborations

Collaboration 1

Maayan participated in an interview with the Toronto iGEM team for one of their Human Practices projects.

University of Guelph iGEM 2017